Time to Listen
Transnational Collaboration and Networks
5 Oct 2026, 10 am – 6:30 pm

ConferenceMusicConcert

The conference focuses on independent ensembles: their role in contemporary music production, their position as intermediaries between composers and festivals, and their networks.

  • Location:Hanseatenweg
  • ElevatorWheelchair accessibleAll-gender restroom
  • Date:5 Oct 2026
  • Time:10 am – 6:30 pm
  • Cooperation(s):field notes / inm
  • Languages: German, English
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  • Attendance at the conference is free of charge
    Registration required

    from 6 pm Concert
    Manos Tsangaris: Abstract Pieces 2. Portrait & Entertainment, public performance, approx. 50 mins
    Admission in 10-minute intervals until 6:50 pm
    € 5/3
    Tickets available shortly

“Time to Listen” lettering on a white background
Time to Listen
© Node Berlin Oslo

About the event

With the second instalment of the “Time to Listen” conference series this year, we are continuing our exploration of transnational collaboration and networks in contemporary music.

Last autumn, “Time to Listen” brought together numerous European initiatives that are forming networks against a backdrop of environmental, political and financial challenges in order to share knowledge, resources and responsibility (“Time to Listen”, 30–31 Oct 2025). Building on this, the conference now focuses specifically on independent ensembles: on their central role in contemporary music production, their mediating position between composers and festivals, their often informal yet robust networks, and the conditions that shape their work and collaborations.

As part of the conference, Manos Tsangaris will present Abstract Pieces 2 – a musical theatre piece in five acts, performed by the ensemble El Perro Andaluz. The performance is open to symposium attendees from 5 pm and to the general public from 6 pm.

The conference is jointly organised by  field notes / inm and the Music Section of the Akademie der Künste, and is being staged in collaboration with Musikfonds e.V. and Impuls neue Musik.

Abstract Pieces 2. Portrait & Entertainment

In the musical theatre piece Abstract Pieces 2. Portrait & Entertainment, composer Manos Tsangaris explores the gradual performative formation of an ensemble. Taking as its starting point relationships between pairs, relationships between two pairs, and the innate ability to hear even around objects and corners, an ensemble gradually takes shape through abstract musical and theatrical means. The trailer for the piece gives an impression of what to expect.

A photo collage comprising four images: musicians playing the clarinet, harp, violin and flute in rooms lit by blue light
El Perro Andaluz, Abstract Pieces 2
© Hechtfilm

El Perro Andaluz

Founded in 2007 through a collaboration with Brian Ferneyhough, El Perro Andaluz has rapidly established itself as one of the most versatile ensembles for contemporary music and performance in Germany. The ensemble’s name is a reference to the short film Un chien andalou, drawing on its blend of artistic and friendly collaboration, playful provocation and the exploration of new forms of expression. Since its inception, El Perro Andaluz has been active in various musical fields – music theatre, installations, concerts and music education projects. Having been awarded the City of Dresden’s Cultural Promotion Prize, the ensemble has been based at the Dresden cultural centre “Zentralwerk” since 2016.

About Time to Listen

The words “Time to Listen” on a red background
Time to Listen
© Node Berlin Oslo

Since 2019, field notes / inm and the Music Section of the Akademie der Künste have been organising annual conferences on current discourses in contemporary music. The aim is to share knowledge and promote exchange between Berlin-based, national and international music professionals.

Information on the conference in June 2026:
Time to Listen. Multispecies Creativity in Music and Sound. 26–27 June 2026

Further information on the series and past events:
field notes / inm website